This Ph.D. submission deals with contemporary demonstration culture and political activism, seen as performance through performance. It consists of both a practical and a theoretical part. These are intertwined on various levels of the project. My submission, however, is made up of the two following parts: 1: A textual part, divided into 8 parts. Each part contains a script, an analysis and a number of commentaries. In these, 8 moments in the recent history of activism in Scandinavia and beyond, are reflected. The 8 research performances at the core of this project are reflected here as well. 2: An exhibition based on visual and sonic footage from the 8 performances, here transformed into an installation that present an aesthetic introduction to the project as a whole. The exhibition will be an attempt at re-staging the visual and sonic material as a new sense-event. The claim of ’Aesthetics of Resistance’ is that in recent examples of Direct Activism, politics are constituted by the aesthetic; as performance, form and style. This assumption is argued for by selecting 8 specific moments where this seems to be the case. These moments are chosen from 5 sequences of events, from a small incident in Gothenburg, Sweden in 2006 to the Egyptian uprising that gained global significance in 2011. The core part of the project is two sequences of confrontations between activists and authorities that both took place in Copenhagen, Denmark –The Youth House Movement 2007/08 and the large scale actions surrounding the UN Climate Summit COP15 in 2009 respectively. Central to the project is an idea of ’thinking with the senses’. In order to facilitate this, an experimental set-up was created, where a sensorial reflection could be compared with an analytical interpretation of the topic in question. This experimental set-up was constituted by the two figures: The artist/researcher and the sense-event. These two figures intertwine and in various ways stage the gap between discursive and nondiscursive thinking that lies at the core of this project. The use of performance is three-fold: A: The specific moments chosen are interpreted as performance. B: The ’thinking with the senses’ takes place as performance C: As a kind of meta-reflection, the project is performing art-research by using an artistic medium as the research tool to investigate the chosen topics. The 8 research experiments were set up as performances. These 8 performances took place at various locations in Denmark, Sweden and China in the period 2009 to 2012. The aesthetic reflection at the core of this project evolved in these senseevents. Video documentation of the performances is included here in the Appendix, but it is important to understand that neither this video documentation nor the texts in this part of my submission can give a full account of the sense-events. These accounts will per definition only be approximations. It is in this gap – or drama – between two levels of understanding this project revolves.
PLACE YOUR ADVERT HERE
- ACCOUNTING PROJECT TOPICS AND MATERIALS3553
- EDUCATION PROJECT TOPICS AND MATERIALS3486
- ENGLISH AND LINGUISTIC PROJECT TOPICS AND MATERIALS2939
- COMPUTER SCIENCE PROJECT TOPICS AND MATERIALS FINAL YEAR1274
- BANKING AND FINANCE PROJECT TOPICS AND MATERIALS1250
- BUSINESS ADMINISTRATION PROJECT TOPICS AND MATERIALS1236
- EDUCATION FOUNDATION GUIDANCE AND COUNSELLING TOPICS AND MATERIALS1045
- ZOOLOGY PROJECT TOPICS AND MATERIALS1002
- MASS COMMUNICATION PROJECT TOPICS AND MATERIALS1001
- ANIMAL SCIENCE PROJECT TOPICS AND MATERIALS978
- LAW PROJECT TOPICS AND MATERIALS896
- ARTS EDUCATION PROJECT TOPICS AND MATERIALS844
- MARKETING PROJECT TOPICS AND MATERIALS690
- AGRICULTURAL EXTENSION PROJECT TOPICS AND MATERIALS676
- PUBLIC ADMINISTRATION PROJECT TOPICS AND MATERIALS654
LATEST PROJECTS
STUDIES ON SOME ASPECTS OF ANTHRACNOSE-BLIGHT-DIEBACK COMPLEX OF CULTIVARS OF GRAPEVINES (VITIS SPP.) IN...
GENETIC VARIABILITY STUDIES OF TWENTY POTATO GENOTYPES
RELATIONSHIP OF HAEMOGLOBIN AND POTASSIUM POLYMORPHISM WITH CONFORMATION, MILK PRODUCTION AND BLOOD BIOCHEMICAL PROFILES...
ADOPTION OF AGRICULTURAL INNOVATIONS AMONG MEMBERS AND NON-MEMBERS OF WOMEN CO-OPERATIVE SOCIETIES IN OJU...
SMALL FARMER CREDIT WITH PARTICULAR REFERENCE TO NIGERIA
DISCLAIMER
All undertaking works, records and reports posted on this website, modishproject.com are the property/copyright of their individual proprietors. They are for research reference/direction purposes and the works are publicly supported. Do not present another person’s work as your own to maintain a strategic distance from counterfeiting its results. Use it as a guide and not to duplicate the work in exactly the same words (verbatim). modishproject.com is a vault of exploration works simply like academia.edu, researchgate.net, scribd.com, docsity.com, coursehero and numerous different stages where clients transfer works. The paid membership on modishproject.com is a method by which the site is kept up to help Open Education. In the event that you see your work posted here, and you need it to be eliminated/credited, it would be ideal if you call us on +2348053692035 or send us a mail along with the web address linked to the work, to [email protected]. We will answer to and honor each solicitation. Kindly note notification it might take up to 24 - 48 hours to handle your solicitation.